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Revista de Literatura
426 Publications
collected from a compatible aggregator


  • Gabriel Miró y el 27. Lecturas e influencias

    Laín Corona, Guillermo (2010)
    It is the aim of this article to show that the traditional (and not too accurate) lyrical interpretation of Gabriel Miró comes mainly from the poets of 1927, with whom he had very close personal links. I will analyse the different ways in which these poets read Miró, and to which extent these readings determined and had a great impact on the following Mironian critics (which strengthened the topic of Miró’s lyricism). This will help to study how much Miró himself influenced these poets, so he...

    The Paratexts of a «Cuento Extraño» by Rosalía de Castro: <em>El caballero de las botas azules</em>

    Noelia Iglesias Iglesias (2017)
    As it had happened among the nineteenth-century critics, Rosalía de Castro’s novel El Caballero de las Botas Azules. «Cuento Extraño» (?The Knight of the Blue Boots. Strange Story?, 1867) still allows nowadays for many varied interpretations. Not only the chapters which form this enigmatic work show semantic ambiguity, but also the paratexts which frame it. The title, the subtitle, and the original prologue of the novel provide important keys for the reader. The purpose of this paper is to of...

    Memoria de actores: <i>Entre bobos anda el juego</i> en la escena del teatro Español de Madrid (1895-1896)

    Menéndez Onrubia, Carmen (2007)
    The outstanding work developed by Maria Guerrero through her long activity as actress and producer, began in the 1894-95 season with two important achievements. On one side, she attracted around her the most important and compromised authors, initiating the necessary innovation in contemporary theatre. On the other, thank to her, the Spanish Classical Theatre had one of its best moments. To this Theatre the actress dedicated one day per week, the «classic Mondays», and with its performances s...

    La <i>lámpara maravillosa</i> de Valle-Inclán y el <i>Heinrich von Ofterdingen</i> de Novalis o la poética como «camino de perfección

    Comellas Aguirrezábal, Mercedes (2002)
    Unknown to the Spanish Romantics, Novalis was nevertheless translated by modernist writers and, in the years previous to the making of La lámpara maravillosa, his work was disseminated by people who were attracted to theosophy and other esoteric beliefs. Heinrich von Ofterdingen was a seminal work in the development of the narrative, poetological subgenre that turned Bildungsroman into an aesthetic «camino de perfección». The recurrent critical problem of placing La lámpara maravillosa within...

    A propósito de <i>Judíos, moros y cristianos</i>: el género 'relato de viajes' en Camilo José Cela

    Alburquerque García, Luis (2004)
    The characteristic features of the "travel narratives" are being studied in light of the work Judíos, moros y cristianos, keeping in mind, above all, some considerations concerning narratology about time and voice. Thus, the perfect synchrony between the time of the story and that of the narrative, simultaneous narrative and the natural rhythm of the "scene", would act like unmistakable traces of the genre in which predominate "descriptive scenes", dialogues, inserted stories and exquisite ca...
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