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The Comics Grid : Journal of Comics Scholarship
77 Publications
OpenAIRE 3.0 (OA, funding)


  • Paradoxes of Innovation in French Digital Comics

    Baudry, Julien (2018)
    The word ‘innovative’ and its lexical field of novelty are often used to market digital comics. This obsession with everything new implies a specific link to the past. Anything which breaks with prior methods or forms of graphic creation becomes innovative. However, the formal evolution of French digital comics does not match with this linear pattern of innovation. This paper presents an analysis of the idea of innovation in relation to the long-term history of French digital comics creation....

    “I am a Teacher”: Early Career Teachers in High Needs Schools

    Dell'Angelo, Tabitha; DeGenova, Maria (2018)
    As many as half of the new teachers who begin each year will leave either the school or the profession of teaching within five years. In underperforming districts and in schools with low resources, the retention among teachers is even worse (Ingersoll, 2010; Ingersoll & May, 2011). This comic examines a group of early career teachers; their experiences demonstrate the challenges and opportunities that are the reality for many new teachers entering high needs schools. The major themes that...

    Farting Jellyfish and Synergistic Opportunities: The Story and Evaluation of Newcastle Science Comic

    Wysocki, Lydia (2018)
    The three Newcastle Science Comic anthologies – Science FACT-ion, Asteroid Belter, and Spineless – contain 63 pages of original comics by 84 contributors, as collaborations between science researchers and comics creators. They form a total of 30,000 printed copies and three digital editions, all free to read.This article in comics form (1) tells the story of the Newcastle Science Comic project with insights into the process of making these collaborative comics, which included not only institu...

    Enacting Graphic Mark-Making: A Review of A Theory of Narrative Drawing

    Davies, Paul Fisher (2018)
    A Theory of Narrative Drawing, by Simon Grennan, Palgrave Macmillan; XII, 277 pages, 16 b/w illustrations, 10 illustrations in colour; eBook ISBN 978-1-137-51844-6; DOI: https://doi.org/10.1057/978-1-137-51844-6; Hardcover ISBN 978-1-137-52165-1 This review in graphic form responds to Simon Grennan’s 2017 monograph ‘A Theory of Narrative Drawing’, describing its form and key ideas, and commenting on its contribution to the field, whilst enacting the graphic mark-making which is its focus. The...

    Doom’s Law: Spaces of Sovereignty in Marvel’s Secret Wars

    Neal Curtis (2017)
    Sovereignty is both the foundation and source of law and the determination of the territory to which the law applies. In this latter sense, sovereignty and the law it supports are an explicitly spatial phenomenon, as can be seen in the meanings of the Greek word 'nomos', which aside from the law can also refer to a division that marks out a specific territory. This article posits that the Marvel crossover event entitled 'Secret Wars' (2015, 2016) encapsulates the ways in which superhero comic...
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