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Luczanits, Christian
Publisher: National Museum Institute-Aryan Books International
Languages: English
Types: Part of book or chapter of book
Subjects: 300, 8600
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Chandra, Lokesh, A Ninth Century Scroll of the VajradhŒtu MaÎÄala , Ýata-Pi¢aka Series, 343, Aditya Prakashan, New Delhi, 1986.
    • ——, Dictionary of Buddhist Iconography, 15 vols., Ýata-Pi¢aka Series, Vols. 601-616, Aditya Prakashan, New Delhi, 1999-2005.
    • Fraser, Sarah E., Performing the Visual: The Practice of Buddhist Wall Painting in China and Central Asia, 618-960, Stanford University Press, Stanford, 2004.
    • Gis, Jacques, Les arts de l’Asie centrale: La collection Paul Pelliot du musŽe national des arts asiatiques – Guimet, 2 vols., RŽunion des MusŽes Nationaux, Paris, 1994.
    • Gis, Jacques and Monique Cohen (eds.), SŽrinde, Terre de Bouddha: Dix sicles d’art sur la Route de la Soie, ƒditions de la RŽunion des MusŽes Nationaux, Paris, 1996.
    • Henss, Michael, “A Rejoinder to Amy Heller’s Book Review of Andreas Gruschke’s The Cultural Monuments of Tibet’s Outer Provinces”, Vols. I and II, 2001, The Tibet Journal 3 (2004): 101-02 (available in early 2006), and some more reviewing on the same author’s Cultural Monuments of Tibet’s Outer Provinces, Kham, Vols. I and II, Bangkok, 2004, The Tibet Journal 31 (2): 103-11.
    • Huang, Yongwu (ed.), Dunhuang bao zang (Tun-huang manuscripts), 140 vols., Taibei, 1981, Xinwenfeng chuban gongsi; 29 cm.
    • Klimburg-Salter, Deborah E., The Silk Route and the Diamond Path: Esoteric Buddhist Art on the Trans-Himalayan Trade Routes, UCLA Art Council, Los Angeles, 1982.
    • Lee-Kalisch, Jeong-hee (ed.), Tibet – Klšster šffnen ihre Schatzkammern, Essen, Kulturstiftung Ruhr, Villa HŸgel, 2006.
    • Luczanits, Christian, “Mandala: Form, Funktion und Bedeutung”, in Jeong-hee Lee-Kalisch (ed.), Tibet – Klšster šffnen ihre Schatzkammern, Essen, Kulturstiftung Ruhr Essen, Villa HŸgel, 2006, pp. 71-79.
    • —— (at press), “On the Earliest Mandalas in a Buddhist Context”, Proceedings of the International Conference on Mahayana: Philosophy and Art, 2-5 November, 2005, New Delhi, Tibet House, New Delhi.
    • Meisezahl, R.O., “The AmoghapŒÜah¾daya-dhŒra¶Ä”, Monumenta Nipponica XVII (1-4), (1962): 265-328.
    • Nicolas-Vandier, N., Bannires et Peintures de Touen-Houang conservŽes au MusŽe Guimet (Mission Paul Pelliot XIV [catalogue descriptif], Mission Paul Pelliot XV [planches]), dir. de Louis Hambis, 2 vols, Paris, 1974.
    • Schopen, Gregory, “Art, Beauty, and the Business of Running a Buddhist Monastery in Early Northwest India”, in Gregory Schopen (ed.), Buddhist Monks and Business Matters. Still More Papers on Monastic Buddhism in India, University of Hawaii Press, Honolulu, 2004, pp. 19-44.
    • Sharf, Robert H., “Visualization and Mandala in Shingon Buddhism”, in Robert H. Sharf and Elizabeth Horton Sharf (eds.), Living Images: Japanese Buddhist Icons in Context, Asian Religions and Cultures Series, Stanford University Press, Stanford, 2001, pp. 151-97.
    • Whitfield, Roderick, The Art of Central Asia. The Stein Collection in the British Museum, 3 vols. (2, Paintings from Dunhuang), Kodansha International, Tµokyµo, 1983.
    • Willson, Martin and Martin Brauen (eds.), Deities of Tibetan Buddhism. The ZŸrich Paintings of the Icons Worthwhile to See Bris sku mthoÆ ba don ldan, Wisdom Publication, 2000.
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