You have just completed your registration at OpenAire.
Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.
Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.
Thank you for your patience,
OpenAire Dev Team.
European films accounted for 17.4% of UK cinema releases in the period 2002-2014, but only 1.8% of the gross box office. Drawing on box office data, audience surveys and interviews with industry players, this article argues that European films generally perform badly in the UK box office because they suffer from a heavy 'cultural discount' and structural weaknesses at the level of production and distribution. Those European films which do 'breakout' are either Englishlanguage films with qualities designed to appeal to a mainstream British audience (e.g. stars and special effects) or foreign-language films with cultural elements (e.g. well-known story, director, genre, subject matter or source material) which many British cinemagoers are already familiar with. Breakout European films are also mainly released by Hollywood studios or major independent distributors. These findings provide insights into academic and policy debates about transnational media flow.