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Sotelo-Castro, Luis Carlos (2009)
Languages: English
Types: Article
Subjects:
In this paper, I focus on disclosures by one participant as enabled by a kind of artistic practice that I term “participation cartography.” By using “participation cartography” as a framework for the analysis of Running Stitch (2006), a piece by Jen Southern (U.K.) and Jen Hamilton (Canada), I demonstrate that disclosures by participants in this practice are to be seen as a form of self-mapping that positions the self in relation to a given performance space. These self-positionings present the self in spatio-temporal terms and by means of performative narratives that re-define the subject from an isolated individual into a participant within an unfolding live process.
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    • M/C Journal, Vol. 12, No. 5 (2009) - 'disclose' Participation Cartography: The Presentation of Self in Spatio-Temporal Terms http://journal.media-culture.org.au/index.php/mcjournal/article/view/192 Fabrica Contemporary Art Gallery. 2009. Fabrica Gallery. 6 Dec. 2009 < http://www.fabrica.org.uk/ >.
    • Goffman, Ervin. The Presentation of Self in Everyday Life. London: Penguin, 1990.
    • Goldberg, Rose Lee. Performance Art: from Futurism to the Present. London: Thames and Hudson, 2001.
    • Hamilton, Jen, and Southern, Jen. Running Stitch. 2006. 20 ‹http://www.satellitebureau.net/p8.php›.
    • Kaye, Nick. Site-Specific Art: Performance, Place, and Documentation. London: Routledge, 2000.
    • Lévinas, Emmanuel. Otherwise than Being, or, Beyond Essence. Trans. Alphonso Lingis. Pittsburgh: Duquesne UP, 2006.
    • McKenzie, Jon. Perform or Else: From Discipline to Performance. London: Routledge, 2001.
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