LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Heile, B. (2009)
Publisher: Ashgate
Languages: English
Types: Part of book or chapter of book
Subjects: ML
The chapter investigates the impact of globalisation on new music on the basis of the concept of _Weltmusik_, introduced in Germany in the 1970s. Particular attention is paid to the \ud nfluence of Marshall McLuhan on Karlheinz Stockhausen. The essay is framed by a discussion of some of Deleuze and Guattari’s ideas, such as ‘rhizome’ and 'territorialization’, which might help to conceptualize the globalized nature of new music and bridge the gap between historical and geographical approaches in musicological and\ud ethnomusicological t
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • World Music', in Gojowy (ed.), Quo vadis musica?, pp. 39-45; Sandeep Bhagwati, 'Musik - eine
    • Weltsprache? Eine Polemik', Neue Zeitschrift für Musik, 161/4 (2000), 'Transkultur', pp. 10-13; and
    • 167/3 (2006), 'Globalisierung und Identität', pp. 24-5. 56 Menezes was the subject of a programme in the series 'Atelier neue Musik' on Deutschlandfunk in 2003. 57 See Björn Heile, '“Transcending Quotation: Cross-cultural Musical Representation in Mauricio Kagel's
    • Die Stücke der Windrose für Salonorchester', Music Analysis, 23/1 (2004), pp. 57-85.
  • No related research data.
  • No similar publications.

Share - Bookmark

Download from

Cite this article