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Baily, John S. (2010)
Languages: English
Types: Article
My research on the music of Afghanistan began in the 1970s, with two years of ethnomusicological fieldwork, most of it in the provincial city of Herat, and to a lesser extent the capital, Kabul. My research in Herat was wide-ranging, looking into the performance of various genres: urban and rural; folk, popular and art; vocal and instrumental; traditional and modern; professional and amateur; female and male; and also at various forms of religious singing that did not fall clearly into the category of music, such as Sufi zikr, Shiah lamentations and Quranic recitation. The largely separate world of women’s music making in Herat was researched by my wife Veronica (Doubleday, 1988), so that together we more or less covered the whole range of instrumental and vocal performance. When its came to writing the ethnographic\ud monograph that was a major output from this research (Baily, 1988) I focused on male professional musicians operating in Herat city. Research into the wider musical context informed the ethnography but had little visible presence in my book.
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    • Ribeiro, J.C. (2010), “Batuque”, in Castelo-Branco, S., Enciclopédia da Música em Portugal no Século XX, Lisbon: Círculo de Leitores/Temas e Debates, pp.133-35.
    • Miguel, A.F. (2010), “Eu vou mas volto, diferente! - (Re)visualização e legitimação da cabo-verdianidade numa viagem a Cabo Verde”, in Actas do Post-ip: 1º Congresso internacional de estudos de pós-graduação em música e dança, Aveiro: DeCA.
    • Contos com Música... Música com Contos 2009 practice. Lusophone migrant musicians in Lisbon, I argue, constitute the city's socio-cultural identity as much as do fadistas. But their battle seems to be a different one. The points of inspiration for the conception of this project, besides Lusofonia, a (r)evolução, have been association Sons da Lusofonia's yearly festival Lisboa Mistura (since 2006); Festival ImigrArte of the association Solidariedade Imigrante (since 2007); EGEAC's África Festival (2005-7); and my own experience of being a migrant musician and researcher in a new city.
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