Remember Me
Or use your Academic/Social account:


Or use your Academic/Social account:


You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.


Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message


Verify Password:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Martin-Jones, David (2016)
Publisher: Edinburgh University Press
Languages: English
Types: Article
This Special Section arose out of the 2014 Film-Philosophy conference,\ud held at the University of Glasgow, which took as its theme: A World of\ud Cinemas. The aim of both the conference theme and this resulting Special\ud Section is to broaden the debate in film-philosophy, both in terms of a\ud world of cinemas and a world of philosophies. This introduction considers\ud the reasons why such an intervention is worthwhile.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Aguilar, G. (2008). New Argentine Film. (S. Wells, Trans.). Houndsmills: Palgrave Macmillan.
    • Brown, W. (2012). “ ' There are as many paths to the time-image as there are films in the world ': Deleuze and The Lizard ”, David Martin-Jones and William Brown (eds.), Deleuze and Film. Edinburgh: Edinburgh University Press, pp. 88-103.
    • Choi, J., & Frey, M. (2014). Cine-ethics. New York: Routledge.
    • Cooper, S. (2006). Selfless Cinema? Ethics and French Documentary. London: Legenda.
    • Dabashi, H. (2007). Masters and Masterpieces of Iranian Cinema. Washington DC: Mage Publishers.
    • Dabashi, H. (2008). Makhmalbaf at Large: The Making of a Rebel Filmmaker. London: I.B.Tauris.
    • Dabashi, H. (2015). Can Non-Europeans Think? London: Zed Books.
    • Dai, J., Wang, J., & Barlow, T. (2002). Cinema and Desire. (Multiple Trans.) London: Verso.
    • Dennison, S. & Lim, S.H. eds. (2005). Remapping World Cinema. London: Wallflower.
    • Downing, L., & Saxton, L. (2010). Film and Ethics. London: Routledge.
    • Dussel, E. (1993). Eurocentrism and Modernism (Introduction to the Frankfurt Lectures). In: Beverley, J., Aronna, M., and Oviedo, J. (eds.), The Postmodernism Debate in Latin America (pp. 65-76). Durham: Duke University Press. (Original work published in 1993.)
    • Erfani, F. (2012). Iranian Cinema and Philosophy. New York, NY: Palgrave Macmillan.
    • Espinosa, J. (1969). For an Imperfect Cinema. In: M. Martin, ed. (1997), New Latin American Cinema, 1st ed. Detroit: Wayne State University Press, pp. 33-58.
    • Gerow, A. (2010). Visions of Japanese Modernity. Berkeley: University of California Press.
    • Gabriel, T. H. (1982). Third Cinema in the Third World. Ann Arbor: UMI Research Press.
    • Glendinning, S. (2006). The Idea of Continental Philosophy. Edinburgh: Edinburgh University Press.
    • Iordanova, D. (2010). Migration and Cinematic Process in Post-Cold War Europe. In D. Berghahn & C. Sternberg, European Cinema in Motion (1st ed., pp. 50-75). Hampshire: Palgrave Macmillan.
    • Martin-Jones, D. (2011). Estudios de cine en el Reino Unido: La mirada hacia los “ cine del mundo ”/ Film Studies in the UK: The Turn to World Cinemas. 33 Cines, 2(5), 5-12.
    • Meillassoux, Q. (2008). After Finitude. (R. Brassier, Trans) London: Continuum.
    • Mills, C. W. (1997). The Racial Contract. Ithaca and London: Cornell University Press.
    • Mignolo, W. Foreword. In H. Dabashi (2015). Can Non-Europeans Think? London: Zed Books, pp. viii-xlii.
    • Mullarkey, J. (2006). Post-Continental Philosophy. London: Continuum.
    • Pippin, R. B. (1999). Modernism as a Philosophical Problem. Oxford: Blackwell. Second Edition.
    • Rocha, G. (1965). An Esthetic of Hunger. In: M. Martin, ed. (1997), New Latin American Cinema, 1st ed. Detroit: Wayne State University Press, pp. 59-61.
    • Satoo¯ , T., Vasudev, A., & Padgaonkar, L. (2008). Kenji Mizoguchi and the art of Japanese Cinema. (B. Tankha, Trans.). Oxford: Berg.
    • Satoo¯ , T. (1982). Currents in Japanese Cinema. (Barrett, G. Trans.). Tokyo: Kodansha Internat.
    • Sinnerbrink, R. (2008). Simon Glendinning, The Idea of Continental Philosophy. Australasian Journal of Philosophy, 86(4), pp. 696-697.
    • Sinnerbrink, R. (2011). New philosophies of Film. London: Continuum International Pub. Group.
    • Sinnerbrink, R. (2015). Cinematic Ethics: Exploring Ethical Experience through Film. London: Routledge.
    • Shaviro, S. (2014). The Universe of Things. Minneapolis: University of Minnesota Press.
    • Shohat, E. & Stam, R. (1994). Unthinking Eurocentrism. New York: Routledge.
    • Solanas, F. and Getino, O. (1969). Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World. In: M. Martin, ed. (1997), New Latin American Cinema, 1st ed. Detroit: Wayne State University Press, pp. 33-58.
    • Stadler, J. (2008). Pulling Focus: Intersubjective Experience, Narrative Film, and Ethics. New York and London: Continuum.
    • Stam, R., & Shohat, E. (2012). Race in Translation. New York: New York University Press.
    • Wheatley, C. (2009). Michael Haneke's Cinema: The Ethic of the Image. New York and Oxford: Berghahn Books.
  • No related research data.
  • Discovered through pilot similarity algorithms. Send us your feedback.

    Title Year Similarity

    What is Film-Philosophy?


Share - Bookmark

Cite this article