Remember Me
Or use your Academic/Social account:


Or use your Academic/Social account:


You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.


Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message


Verify Password:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Beard, David Jason (2008)
Publisher: Cambridge University Press
Languages: English
Types: Article
Subjects: ML
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • 244 Reviews
    • 1 See Douglas Johnson, 'Beethoven Scholars and Beethoven's Sketches', 19th-Century Music 2/1 (1978-9), 3-17, and responses in the same volume, 270-79.
    • 2 See Dai Griffiths, Review of A. C. Schreffler, Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl (1994), Music Analysis 16/1 (1997), 144-54.
    • 3 For an excellent summary of sketch study issues, together with an outline of Kerman's broader vision for their use see Joseph Kerman, 'Viewpoint: Sketch Studies', 19th-Century Music 6/2 (1982), 174-80.
    • 4 Alain Frogley, Vaughan Williams's Ninth Symphony (Oxford: Oxford University Press, 2002), 2. However, Frogley resists hermeneutic endeavour for the most part until the final chapter of his book.
    • 9 Elliott Carter, in Jonathan Bernard, 'An Interview with Elliott Carter', Perspectives of New Music 28/2 (1990), 205.
    • 10 This was edited and published by Nicholas Hopkins and John F. Link in 2002; Elliott Carter, Harmony Book (New York: Carl Fischer, 2002).
    • 11 See, for example, Martin Scherzinger, 'Remarks on a Sketch of Gy├Ârgy Ligeti: a Case of African Pianism', Mitteilungen der Paul Sacher Stiftung 20 (2007), 32-7.
    • 12 See Richard Taruskin, 'Russian Folk Melodies in The Rite of Spring', Journal of the American Musicological Society 33/3 (1980), 501-43, especially 512. Taruskin drew directly on Lawrence Morton's sketch study, 'Footnotes to Stravinsky Studies: Le Sacre du Printemps', Tempo 128 (1979), 9-16, which presented the first evidence of Stravinsky's use of folk sources in The Rite. See also David J. Code, 'The Synthesis of Rhythms: Form, Ideology and the Augurs of Spring', Journal of Musicology 24/1 (2007), 112-66.
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article