LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Publisher: University of Illinois
Languages: English
Types: Article
Subjects: M1
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Abraham, Otto. and Erich M. v. Hornbostel. 1909. “Vorschläge für die Transkription exotischer Melodien.” Sammelbände der Internationalen Musikgesellschaft 11(1):1-25.
    • Averill,Gage.2004. “'Where's“One”?': Musical Encounters of the Ensemble Kind.”In Performing Ethnomusicology: Teaching and Representation in World Music Ensembles, edited by Ted Solis, 93-111. Berkeley: University of California Press.
    • Baily, John. 1988. “Anthropological and Psychological Approaches to the Study of Music Theory and Musical Cognition.” Yearbook for Traditional Music 20(1):114-124.
    • ---. 2001. “Learning to Perform as a Research Technique in Ethnomusicology.” Ethnomusicology 10(2):85-98.
    • Blacking,John.1967.Venda Children's Songs: A Study in Ethnomusicological Analysis. Chicago: University of Chicago Press.
    • Cottrell, Stephen. 2004. Professional Music-Making in London: Ethnography and Experience. SOAS Musicology Series. London: Ashgate.
    • Davis,Martha Ellen.1994. “'Bi-Musicality'in the Cultural Configurations of the Caribbean.” Black Music Research Journal 14(2):145-160.
    • Faulkner, Robert. 1971. Hollywood Studio Musicians. Chicago: Aldine Athertone Inc.
    • Feld, Steven. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.
    • Goodman, Elaine. 2002. “Ensemble Performance.” In Musical Performance: A Guide to Understanding, edited by John Rink, 153-167. Cambridge: Cambridge University Press.
    • Hood, Mantle. 1960. “The Challenge of Bi-Musicality.” Ethnomusicology 4(2):55-59.
    • Kingsbury, Henry. 1988. Music, Talent, and Performance: A Conservatory Cultural System. Philadelphia: Temple University Press.
    • Koning, Jos. 1980. “The Fieldworker as Performer: Fieldwork Objectives and Social Roles in County Clare, Ireland.” Ethnomusicology 24(3):417-429.
    • Labov, William. 1972. Sociolinguistic Patterns. Philadelphia: University of Pennsylvania Press.
    • L'Armand, Kathleen, and Adrian L'Armand. 1978. “Music in Madras: The Urbanization of a CulturalTradition.”In Eight Urban Musical Cultures, edited by Bruno Nettl,115-145.Urbana: University of Illinois Press.
    • McAllester, David. P. 1979 “The Astonished Ethno-Muse.” Ethnomusicology 23(2):179-189.
    • Merriam, Alan. 1977. “Definitions of 'Comparative Musicology' and 'Ethnomusicology': An Historical-Theoretical Perspective.” Ethnomusicology 21(2):189-204.
    • Nettl, Bruno. 1964. Theory and Method in Ethnomusicology. New York: Free Press.
    • Neuman, Daniel M. 1978. “Gharanas: The Rise of Musical 'Houses' in Delhi and Neighboring Cities.” In Eight Urban Musical Cultures, edited by Bruno Nettl, 186-222. Urbana: University of Illinois Press.
    • Peña,Manuel.1985. “From Ranchero to Jait¯on: Ethnicity and Class inTexas-Mexican Music (Two Styles in the Form of a Pair).” Ethnomusicology 29(1):29-55.
    • Rice,Timothy. 1994. May It Fill Your Soul: Experiencing Bulgarian Music. Chicago: University of Chicago Press.
    • Seeger, Anthony. 1987. Why Suyá Sing: A Musical Anthropology of an Amazonian People. Cambridge: Cambridge University Press.
    • Shelemay, Kay Kaufman. 1997. “The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition.” In Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, edited by Gregory F. Barz and Timothy J. Cooley, 189-204. New York: Oxford University Press.
    • Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the West. Hanover, N.H.: Wesleyan University Press.
    • ---. 1979. “Code Switching and Code Superimposition in Music.”Working Papers in Sociolinguistics 63:1-14.
    • Sutton, Robin Anderson. 1985. “Musical Pluralism in Java: Three Local Traditions.” Ethnomusicology 29(1):56-85.
    • Titon,Jeff Todd.1992. “Preface.”In Worlds of Music: an Introduction to the Music of the World's Peoples, edited by Jeff Todd Titon, xxi-xxiv. New York: Schirmer Books.
    • ---. 1995. “Bi-musicality as Metaphor.” The Journal of American Folklore 108(429):287- 297.
    • Williamon, Aaron, and Jane W. Davidson. 2002. “Exploring Co-performer Communication.” Musicae Scientiae 6(1):53-72.
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article