Remember Me
Or use your Academic/Social account:


Or use your Academic/Social account:


You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.


Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message


Verify Password:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Oda, Tomoo Thomas
Languages: English
Types: Doctoral thesis
Subjects: ML
Considerable interest has been shown in the field of music aesthetics in recent years,\ud not only by aestheticians but also by writers from diverse fields such as musicology,\ud psychology and linguistics. What we have witnessed in these discussions have been\ud not only painstaking analyses of music in terms of its aesthetic value, but also\ud explorations of music in relation to a varied range of research areas from examining\ud the relations between music and mind using psychological methods, through\ud evaluating music in terms of our post-modem notion of art, to exploring the relations\ud between language and music in terms of their semantic and semiotic characteristics.\ud Such accounts typically seek to show that music is more than mere sound, and, in\ud particular, several accounts focus on its expressiveness and its possibility of\ud conveying a certain significance.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • ----------, (1967) Validity in Interpretation. New Haven: Yale University Press. ----------, (1972) 'Three Dimensions of Hermeneutics.' New Literary History. Vol.3, pp.245-261.
    • ----------, (1976) The Aims ofInterpretation. Chicago: University of Chicago Press. HJELMSLEV, Louis, (1961) Prolegomena to a Theory ofLanguage. (Whitfield. Francis trans.) Madison: University Wisconsin Press.
    • HOGAN, John, (1976) 'Gadamer and the Hermeneutical Experience.' Philosophy Today. Vol.20, pp.3-12.
    • HOLDCROFT, David, (1979) 'Speech Acts and Conversation 1.' The Philosophical Quarterly. Vol.29, pp.125-141.
    • HOLLIS, Martin, and LUKES, Steven (eds.), (1982) Rationality and Relativism. Oxford: Basil Blackwell.
    • HOOK, Sidney (ed.), (1966) Art and Philosophy. NY: NY University Press. HOOKWAY, Christopher, (1985) Peirce. London: Routledge Kegan & Paul. HOPKINS, Anthony, (1979) Understanding Music. London: J.M.Dent & Sons. ----------, (1978b) 'Hermeneutic Circularity, Indeterminancy, and Incommensurability.' New Literary History. Vol.10, pp.161-173.
    • ----------, (1985) Verbal Art, Verbal Sign, Verbal Time. (Poworska, K., Rudy, S. eds.) Minneapolis: University of Minnesota Press.
    • ----------(ed.), (2003) The Oxford Handbook ofAesthetics. Oxford: OUP. LEWIS, P.B., (1977) 'Wittgenstein on Words and Music.' BJA. Vol.17, pp.111-121.
    • LIDOV, David, (1980) 'Musical and Verbal Semantics'. Semiotica. Vol.31, pp.369-91.
    • ----------, (1998) Art and Emotion. Oxford: Clarendon Press. ----------, (1979) 'Anthropologie et Metaphore.' Langages. Vol.54.
    • ----------, (1987) Theaetetus. (Waterfield, Robin trans.) Hammondsworth: Penguin. ----------, (1993) Language, Music and Mind. Massachusetts: MIT Press. ----------, (1999) 'R.G. Collingwood: A Philosophy of Art.' JAAC. Vol.57, pp.390-392.
    • RISSER, James, (1998) 'Whose Voice do I Hear? Risser on Gadamer on the Other.' Research in Phenomenology. Vol.28, pp.292-298.
    • ----------, (1983) Intentionality. Cambridge: CUP. ----------, (1997) Musical Languages. NY: W.W. Norton and Co. ZANGWlLL, Nick, (1991) 'Metaphor and Realism in Aesthetics.' JAAC. Vol. 49.
    • pp.57-62.
    • ----------, (1999) 'Feasible Aesthetic Formalism.' Nous. Vol.33, pp.61 0-629.
    • ----------, (2000) 'In Defence of Moderate Aesthetic Formalism.' The Philosophical Quarterly. Vol.50, pp.476-493.
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article