LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Carter, Alexandra (2008)
Publisher: Palgrave Macmillan
Languages: English
Types: Part of book or chapter of book
Subjects:
In performance historiography, there has been a tendency to view critical, journalistic reviews of events as 'second hand' or secondary sources which somehow 'distort' the very nature of the event itself. This research takes issue with that view, arguing that critical perception constitutes a valid source which does not distort, but presents the perception of an informed public. That is, there is no 'true' performance event, but each one exists in its public reception. An analysis is conducted of Macmillan's 'The Judas Tree' from journal and newspaper criticism and notes particularly how the choreographer's apparent obsession with female sexuality is perceived/received/ constituted in critical writing.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • ---- 1992b Vogue, March
    • ---- 2003 The Guardian, 2 May
    • Manning, S. 1993 Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman, Berkeley: University of California Press
    • McMahon, D. 1992a What's On, 25 March
    • ---- 1992b Spectator 28 March
    • Matluck Brooks, L.2002 „Dance history and method: a return to meaning„, Dance Research. Vol. 20/1 Summer pp.33-53
    • Mercer, D. (ed) 1995 Chronicle of the twentieth century, London: Dorling Kindersley
    • Muntz, P. (1997) „The historical narrative‟ in Bentley, M. (ed) Companion to Historiography, Routledge pp.831-872
    • Nugent, A. 1992 The Stage, 2 April
    • Parry, J. 2002 in Revealing MacMillan, London: Royal Academy of Dance
    • Percival J. 1992a Dance and Dancers, May pp.18-19
    • ----- 1992b The Times, 23 March
    • Postlewait, T. 1992 „History, hermeneutics and narrativity‟ in Reinelt, J.G. and Roach, J. Critical theory and performance, Ann Arbor: University of Michigan Press pp. 356-68
    • Taylor, J. 1992 Mail on Sunday, 22 March
    • Thorpe, E. 1992 Evening Standard, 20 March
    • Wells, L. 2003 The Stage, 8 May
    • White, H. 1989 „New historicism: a comment‟ in Aram Veeser, H. (ed.) The New Historicism, New York: Routledge pp.293-302
    • Worthen, W.B. 2003 „Introduction: theorising practice„ in Worthen, W.B. and Holland, P. (eds.) Theorizing practice: redefining theatre history, Hampshire: Palgrave Macmillan pp.1-7
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article