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Donnell, Alison
Languages: English
Types: Doctoral thesis
Subjects: PR
This thesis considers the gender and cultural politics of selected Jamaican\ud women's poetry published during the first half of the twentieth century and\ud seeks to establish that an approach to this poetry sensitive to these issues will\ud illuminate aspects of their work previously neglected by canonical and colonial\ud modes of interpretation. The central interest of this thesis is the poetry of Una\ud Marson, a black woman poet whose work has been critically neglected and\ud devalued to date. My project is to read Marson's work in some detail, and to\ud explore to what extent her poetry, which often works within colonial models and\ud with conventional notions of feminine fulfilment, employs received aesthetic\ud and ideological paradigms both strategically and subversively. In the belief\ud that critics of Jamaican women's writing should be as attentive to the gender\ud and cultural politics of their ways of reading, as of the texts they wish to read,\ud the first chapter of this thesis engages in a sustained analysis of theoretical\ud positions and attempts to map out the various problems and possibilities\ud which critical discourses present in relation to this material. The second\ud chapter examines the various social and literary contexts in which Jamaican\ud poetry was produced and received during this period, and the third chapter\ud looks in more detail at contemporary notions of aesthetic and cultural forms.\ud The fourth and fifth chapters are structured aromd close textual readings\ud which explore the variety and complexity of Marson's, and her Creole\ud contemporaries', poetic engagement with the issues of cultural and gender\ud identities. The thesis concludes that Marson's poetry questions dominant\ud notions both of identity and of aesthetics, and consequently that her poetry\ud offers an example of Jamaican literary expression which moves beyond the\ud nationalization of consciousness which has come to mark the literary\ud achievement of this period.
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    • Hoflar, Constance, ed., Songs of Empire (Kingston, 1932) _________ Flaming June (Kingston, 1941)
    • Olson, Nellie France Ackerman , Pondered Poems (Kingston, Jamaica, 1956) Wokott, Mary Adella (Tropica), The Island of Sunshine (New York, 1904) Year Book of the Poetry League of Jamaica, 1942 (Kingston, 1942) Year Book of the Poetry League of Jamaica, 1943 (Kingston, 1943) 'The Death of the Author', in Image - Music - Text, Stephen Heath, ed. and translator (London, 1977), pp. 142-148 ____________ A Lover's Discourse (New York, 1978)
    • Baugh, Edward, West Indian Poetry 1900-1970 A Study in Cultural Decolonisation ( Kingston, 1971)
    • Bennett, Wycliffe, 'Poets Play Part In Jamaica's Life', The Sunday Gleaner, 17 October 1948, p. 6
    • ___________ 'The Jamaican Poets', Life and Letters, 57(1948), pp. 58-61 Bernikow, Louise, Introduction to The World Split Open: Women Poets 1552- 1950 Louise Bernikow, ed. (London, 1974)
    • Bbabha, Homi, 'Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree Outside Dehil, May 1817', Critical Inquiry 12 (1985), pp. 144-165
    • Brett, R. L. and A. R. Jones, ed.s, Wordsworth and Coleridge Lyrical Ballads second edition (London, 1991)
    • Brown, Lloyd, West Indian Poetry (London, 1984) Dizard, Robin, 'Love Stories' in From Commonwealth to Post-Colonial, Anna Rutherford, ed. (Coventry, 1992), pp. 399-406
    • French, Joan, 'Colonial Policy Towards Women After The 1938 Uprising: The Case of Jamaica.', Caribbean Quarterly, 34 (1988), pp. 38-61 Harasym, Sarah, ed., The Post-colonial Critic : Interviews, Strategies and Dialogues: Gayatri Chakravorty Spivak (London, 1990) Katrak Ketu H.,Decolonizing Culture: Toward a Theory for Post-Colonial Women's Texts', Modern Fiction Studies, vol. 35, 1989, pp. 157-179 Kauffman, Linda, ed., Gender and Theory (Oxford, 1989) Kenyon, Frederick G., ed., The Letters of Elizabeth Barrett-Browning 2 vols, (New York, 1899) quoted in Gilbert and Gubar, Shakespeare's Sisters (Bloomington, 1979)
    • ___________ 'Constance Hollar', A Literature in the Making (Kingston, 1956), pp. 40-47
    • 'Tom Redcam', A Literature in the Making (Kingston, 1956), pp. 1- 'The All Jamaica Library', Jamaica Journal, 6 (1972), pp. 47-49 'The Arts in Jamaica: when 'a freedom was released and the desert flowered', Commonwealth (April-May 1975), pp. 9-11
    • Parry, Benita, 'Problems in Current Theories of Colonial Discourse', Oxford Literary Review, 9 (1987), pp. 27-58
    • Phil].ips, Peter, 'Jamaican Elites: 1938 to Present', in Essays On Power and Change In Jamaica, Dr. Carl Stone and Dr. Aggrey Brown, ed.s (Kingston, 1977), pp. 1-14
    • Pound, Ezra, 'A Few Don'ts by an Imagiste', Poetry March 1913 in Imagist Poetry, Peter Jones, ed. (MiddJesex, 1972)
    • Strong, L. A., 'Introduction' in Towards The Stars by Una Marson (Harrow, 1945)
    • Thomas, J. J., Froudacity extract reprinted in Black Writers in Britain 1760- 1890, Paul Edwards and David Dabydeen, ed.s (Edinburgh, 1991), PP. 224-235
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