Remember Me
Or use your Academic/Social account:


Or use your Academic/Social account:


You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.


Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message


Verify Password:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Boyle, R.; Kelly, L.W. (2013)
Publisher: Sage
Languages: English
Types: Article
Subjects: H1
This short commentary piece arises from completing an Arts and Humanities Research Council (AHRC)–funded research project into the relationship between representations of business on factual television in the United Kingdom and the public’s perception and understanding of entrepreneurship. What we would like to do here is reflect on some of the implications of this work with specific regard to the research agenda around the media and civic culture. We remain convinced that even in the digital age, popular television remains a central entry point into debates about the relationship between broader civic and political culture.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Bennett, J. and Holmes, S. 2010. The 'place' of television in celebrity studies. Celebrity Studies, 1(1), 65-80.
    • Boyle, R. 2009. The Rise of the British Entertainment Format on British Television. Localizing Global TV, in TV Formats Worldwide, edited by A. Moran. London: Intellect, 97-112.
    • Boyle, R and Kelly, L.W. 2010. The Celebrity Entrepreneur on Television: Profile, Politics and Power. Celebrity Studies, 1(3), 334-350.
    • Boyle, R. and Kelly, L.W., 2012. The Television Entrepreneurs: Social Change and Public Understanding of Business, London: Ashgate Publishing.
    • Brunsdon, C., Johnson, C., Moseley, R. and Wheatley, H. 2001. Factual 44.
    • Hill, A. 2008. Documentary Modes of Engagement, in Rethinking Documentary: New Perspectives, New Practices, edited by T. Austin and W. de Jong. Maidenhead and New York: Open University Press, 217-231.
    • Kelly, L.W. and Boyle, R. 2011. Business on Television: Continuity, Change and Risk in the Development of the Entertainment Format. Television and New Media, 12(3), 228-247.
    • Klein, B. 2011. Entertaining ideas: social issues in entertainment television, Media, Culture and Society, Vol. 33 (6) , 905 - 921.
    • Lusted, D. 1998. The Popular Culture Debate and Light Entertainment on Television, in The Television Studies Book, edited by C. Geraghty and D. Lusted. London: Arnold, 175-190.
    • McMurria, J. 2009. Global TV Realities: International Markets, Geopolitics, and the Transcultural Contexts of Reality TV, in Reality TV: Remaking Television Culture, edited by S. Murray and L. Ouellette. New York and London: New York University Press.
    • Moran, A. 1998. Copycat Television: Globalisation, Program Formats and Cultural Identity. Luton: University of Luton.
    • Murray, S. and Ouellette, L. 2009. Second Edition. Reality TV. Reality TV: Remaking Television Culture. New York and London: New York University Press.
    • Ouellette, L. and Hay, J. 2008. Better Living Through Reality TV: Television and Post-Welfare Citizenship. Walden, MA and Oxford: Blackwell.
    • Steemers, J. 2004. Selling Television: British Television in the Global Marketplace. London: BFI.
  • No related research data.
  • No similar publications.

Share - Bookmark

Download from

Cite this article