LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Graham, HC (2016)
Publisher: Science Museum Group
Languages: English
Types: Article
Subjects:
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • 1. Abram, D, 1996, The Spell of the Sensuous: Perception and Language in a More-than-Human World (New York: Pantheon Books)
    • 2. Adorno, T, 1988 [1967], 'Valéry Proust Museum', in Prisms (Cambridge, Massachusetts: MIT Press), pp 173-186
    • 3. Barad, K, 2007, Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (Durham: Duke University Press)
    • 4. Barad, K, Dolphijn, R, and van der Tuin, I, 2012, 'Matter feels, converses, suffers, desires, yearns and remembers': Interview with Karen Barad, New Materialism: Interviews & Cartographies, (Michigan: Michigan Publishing, University of Michigan Library, Open Humanities Press), DOI: http://dx.doi.org/10.3998/ohp.11515701.0001.001 (accessed 9 January 2016)
    • 5. Bastian, M, Jones, P, Coles, R, Jones, O, Heddon, D, Phillips, M, Brigstocke, J, Siebers, J, Moore, N, CRESC, Animal-Computer Interaction Network, Evesham Beekeepers Association, Wye Valley Area of Outstanding Natural Beauty, Collins and Goto Studio, Lyons, A (online) 'More-than-human participatory research', http://www.morethanhumanresearch.com/about.html (accessed 9 January 2016)
    • 6. Bennett, J, 1998, 'Can science museums take history seriously?', in Macdonald, S (ed), The Politics of Display: Museums, Science, Culture (London: Routledge)
    • 7. Bennett, T, 1995, The Birth of the Museum (London: Routledge)
    • 8. Bennett, T, 2005, 'Civic Laboratories: Museums, cultural objecthood and the governance of the social', Cultural Studies,
    • 9. Bennett, T, 2006, 'Exhibition, Difference and the 'logic of culture'', in Museum Frictions: Public Culture/Global Transformations, Karp, I, Kratz, C A, Szwaja, L and Ybarra-Frausto, T (Durham and London: Duke University Press), pp 46- 69
    • 10. Bennett, T, 2013, Making Culture, Changing Society (London: Routledge)
    • 11. Brenna, B, 2014, 'Nature and Texts in Glass Cases: The vitrine as a tool for textualizing nature', Nordic Journal of Science and Technology Studies, 2/1: 46-51
    • 12. Burbridge, B, 2015, Revelations: Experiments in Photography (London and Bradford: Media Space)
    • 13. Cahn, E, 2004, No More Throw-away People: The Co-production Imperative (Washington DC, Essential Books) 2nd Edition
    • 14. Cahn, E, 2008, 'Foreword: A commentary from the United States', in Candlin, F, 2010, Art, Museums and Touch (Manchester: Manchester University Press)
    • 15. Candlin, F, 2015, Micromuseology: An analysis of small independent museums (London: Bloomsbury)
    • 16. Clarke, J, 2010, 'Enrolling ordinary people: governmental strategies and the avoidance of politics', Citizenship Studies, 14/6, pp 637-650
    • 17. Daniel, M, n.d., 'William Henry Fox Talbot (1800-1877) and the Invention of Photography', Heilbrunn Timeline of Art History, The Metropolitan Museum of Art, http://www.metmuseum.org/toah/hd/tlbt/hd_tlbt.htm (accessed 9 January 2016)
    • 18. Dibley, B, 2011, 'Museums and a common world: climate change, cosmopolitics, museum practice', Museum and Society, 9/2, pp 154-165
    • 19. Durose, C, and Richardson, L (eds), 2016, Designing public policy for co-production: theory, practice and change, (Bristol, Policy Press/Chicago, University of Chicago Press)
    • 20. Gammon, Z and Lawson, N, 2008, Co-production: The modernisation of public services by staff and users (London: Compass) http://www.compassonline.org.uk/publications/co-production-the-modernisation-of-public-services-by-staff-andusers/ (accessed 9 January 2016)
    • 21. Glasgow Museums, 2010, Out There: The Open Museum: Pushing the boundaries of museums' potential (Glasgow: Glasgow Museums)
    • 22. Goss, S, 2007, 'Re-Imagining the Public Realm', in Hassan, G, (ed), After Blair: Politics after the New Labour decade. (London: Lawrence and Wishart), pp 107-119
    • 23. Graham, H, 2015, 'How can the housing of York's past help us to plan the city's future?', York Mix, 6 November 2015, http://www.yorkmix.com/news/opinion/how-can-the-housing-of-yorks-past-help-us-to-plan-the-citys-future/ (accessed 9 January 2016)
    • 24. Graham, H, 2015b, 'Local Character', RSA Journal 3, https://www.thersa.org/discover/publications-andarticles/journals/issue-3-2015/ (accessed 9 January 2016)
    • 25. Graham H, Mason R, Nayling N, 2013, 'The Personal is Still Political: Museums, Participation and Copyright', Museum and Society, 11/2, pp 105-121
    • 26. Grossberg, L, 2010, Cultural Studies in the Future Tense (Durham: Duke University Press)
    • 27. Fox Talbot, W H, 1844-1846, The Pencil of Nature, http://www.thepencilofnature.com/ (accessed 9 January 2016)
    • 28. Hackner, S, 2015, 'Question of the Week: Why can't I touch museum objects?', https://blogs.ucl.ac.uk/researchers-inmuseums/2015/08/19/question-of-the-week-why-cant-i-touch-museum-objects/ (accessed 9 January 2016)
    • 29. Haraway, D, 2006,'Crittercam: Compounding Eyes in NatureCultures', in Selinger, E (ed), Postphenomenology: A Critical Companion to Ihde (Albany New York: SUNY Press)
    • 30. Haraway, D, 2000, How like a leaf: An Interview with Thyrza Nichols Goodey (London: Routledge)
    • 31. Haraway, D, 1984-1985, 'Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936', Social Text, 11, pp 20-64
    • 32. Harding, C, 2013, 'The world's earliest surviving photographic negative is in our archive', National Media Museum blog, 22 May 2013 (accessed 6 February 2016)
    • 33. Harrison, R, 2010, Heritage: Critical Approaches (London: Routledge)
    • 34. Harrison, R, 2015, 'Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene', Heritage & Society, Vol. 8 No. 1, May, pp 24-42
    • 35. Heritage Decisions (2015) How should heritage decisions be made?: Increasing participation from where you are, http://heritagedecisions.leeds.ac.uk/ (accessed 9 January 2016)
    • 36. Hetherington, K, 2000, 'Museums and the visually impaired: the spatial politics of access', Sociological Review, pp 444- 465
    • 37. Hetherington, K, 2002, 'The Unsightly: Touching the Parthenon Frieze', Theory Culture Society 19, pp 187-205
    • 38. Janes, R R, 2009, Museums in a Troubled World: Renewal, Irrelevance or Collapse? (London: Routledge)
    • 39. Jasanoff, S, 2004, 'Ordering Knowledge, Ordering Society', in Jasanoff, S (ed), States of Knowledge: The Co-Production of Science and the Social Order (London: Routledge), pp 13-45
    • 40. Kalshoven, P T, 2013, 'Beyond the Glass Case: Museums as Playgrounds for Replication', in Henning, M (ed), Museum Media (International Handbooks of Museum Studies) (London: Wiley)
    • 41. Latour, B, 1993 [1991], We Have Never Been Modern (Cambridge, Massachusetts: Harvard University Press)
    • 42. Latour, B, 2005a, Reassembling the Social: An Introduction to Actor-Network-Theory (London: Routledge)
    • 43. Latour, B, 2005b, 'From Realpolitik to Dingpolitik or How to Make Things Public', in Latour, B and Weibel, P (eds), Making Things Public: Atmospheres of Democracy (Cambridge, Massachusetts: MIT Press)
    • 44. Latour, B and Franke, A, 2010, 'Angels Without Wings: A Conversation Between', Animism: Volume I, pp 86-96
    • 45. Lynch, B, 2011, Whose cake is it anyway? A collaborative investigation into engagement and participation in 12 museums and galleries in the UK, (London: Paul Hamlyn)
    • 46. Lynch, B, and Alberti, S, 2010, 'Legacies of prejudice: racism, co-production and radical trust in the museum', Museum Management and Curatorship, 25/1: pp 13-35
    • 47. Macdonald, S (ed), 1998, The Politics of Display: Museums, Science, Culture (London: Routledge)
    • 48. Macdonald, S, 2002, Behind the Scenes at the Science Museum (Oxford: Berg)
    • 49. Maimon, V, 2008, 'Displaced “Origins”: William Henry Fox Talbot's The Pencil of Nature', History of Photography, 32/4 pp 314-325
    • 50. Marquand, D, 2004, The Decline of the Public (Cambridge: Polity)
    • 51. Merriman, N, 1991, Beyond the Glass Case: The Past, the Heritage and the Public, (London: UCL Institute of Archaeology Publications)
    • 52. Ostrom, E, Parks, R B, Whitaker, G P and Percy, S L, 1978, 'The Public Services Production Process: A Framework for Analyzing Police Services', Policy Studies Journal 7/1, pp 381-389
    • 53. Ostrom, E, 1996, 'Crossing the Great Divide: Coproduction, Synergy, and Development', World Development 24/6, pp 1073-1087
    • 54. Reason, P, 2005, 'Living as Part of the Whole: The Implications of Participation', Journal of Curriculum and Pedagogy 2/2, pp 35-41
    • 55. Sandell, R, 2007, Museums, Prejudice and the Reframing of Difference (London: Routledge)
    • 56. Simon, N, 2008, The Participatory Museum, http://www.participatorymuseum.org/ (accessed 9 January 2016)
    • 57. Simon, N, 2012, 'Wandering Down the “Don't Touch' Line', Museum 2.0, http://museumtwo.blogspot.co.uk/2012/03/wandering-down-dont-touch-line.html (accessed 9 January 2016)
    • 58. Star, S L and Griesemer, J R, (1989) 'Institutional Ecology, 'Translations' and Bondary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39', in Social Studies of Science, 19, pp 387-420
    • 59. Stephens, L, Ryan-Collins, J and Boyle, D, 2008, Co-production: A Manifesto for the Core Economy, (London: New Economics Foundation)
    • 60. Tapsell, P, 2015, 'Ko Tawa: Where are the glass cabinets?' in Silverman, R (ed), Museum as Process: Translating Local and Global Knowledges (London: Routledge), pp 262-278
    • 61. Thrift, N, 2008, Non-Representational Theory (London: Routledge)
    • 62. Verschuere, B, Brandsen, T, and Pestoff, V, 2012, 'Co-production: The State of the Art in Research and the Future Agenda', Voluntas: International Journal of Voluntary and Nonprofit Organizations 23/4, pp 1083-1101
    • 63. Waterton, E and Smith L, 2010, 'The recognition and misrecognition of community heritage', The International Journal of Heritage Studies, 16 (1), pp 4-15
    • 64. Wilder, K, 2015, 'Showing Science Photography', in Burbridge, B (ed), Revelations: Experiments in Photography (London: Media Space)
    • 65. Woolgar, S and Lezaun, J, 2013, 'The wrong bin bag: A turn to ontology in science and technology studies?', Social Studies of Science, 43(3), pp 321-340
    • 66. Woolgar, S and Lezaun, J, 2015, 'Missing the (question) mark? What is a turn to ontology? Social Studies of Science, Vol. 45(3), pp 462-467
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article