LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Buckley, Thomas Peter
Languages: English
Types: Doctoral thesis
Subjects: M1
This paper focuses on the application of multichannel stereophonic sound capture and reproduction from a variety of practical and theoretical approaches. As a product of the research conducted, the author has prepared a series of original compositions as a vehicle to investigate recording and mixing techniques that are encapsulated in both two channel stereophony as well as the surround sound studio. The author has also dealt with the notion of human reactions to reproduced sound considering the practice of psychoacoustics as a tool in moulding specific spatial aesthetics during the stages of production and composition.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • 2.3 Research Chronology........................................................................... 13 2.4 Research Methods ............................................................................... 14 3. Analysis of Recording Techniques for Surround Sound ............................ 16 3.1 5-Channel Stereophonic Recording Techniques for Drum Kit.............. 16 3.2 Appropriate Mono and Stereo Microphone Techniques for Instrument Recording ................................................................................................... 28 3.2.2 - Electric Guitar ............................................................................. 29 3.2.3 - Acoustic Guitar............................................................................ 30 4. Analysis of Surround Sound Mixing Techniques........................................ 33 4.1 Achieving Separation of Mix Components............................................ 33 4.2 Maintaining the Integrity of the 5.1 Stereo Image................................. 37 1. The Beach Boys - Pet Sounds (1966, 2003) 2. Pink Floyd - Dark Side of the Moon (1973, 2003) 3. Dire Straits - Brothers in Arms (1985, 2005) 4. Metallica - The Black Album (1991, 2001) 5. The Flaming Lips - The Soft Bulletin (1999, 2006)
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article