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Exarchos, Dimitris; Stamos, Yannis (2008)
Languages: English
Types: Article
Subjects:
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    • Derrida, J. (1997). Of Grammatology. Baltimore: Johns Hopkins University Press.
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    • Solomos, M. (2004). Xenakis' Thought through his Writings. Journal of New Music Research 33/2: 125-36.
    • Squibbs, R. (1996). An Analytical Approach to the Music of Iannis Xenakis: Studies of Recent Works', PhD diss., Yale University.
    • Xenakis, I. (1969). Une note. Revue Musicale 265-6: 51.
    • Xenakis, I. (1976). Musique. Architecture. Tournai: Casterman.
    • Xenakis, I. (1985). Arts/Sciences: Alloys. The Thesis Defense of Iannis Xenakis. Trans. by Sharon Kanach. Stuyvesant, New York: Pendragon Press.
    • Xenakis, I. (1992). Formalized Music: Thought and Mathematics in Composition. Ed. by Sharon Kanach. Stuyvesant, New York: Pendragon Press.
    • Xenakis, I. (1994). Kéleütha (Ecrits). Ed. by Alain Galliari, preface by Benoît Gibson. Paris: L'Arche.
    • Zaplitny, M. (1975). Conversation with Iannis Xenakis. Perspectives of New Music 14/1: 86-103.
    • 4 It is not our intention to show Xenakis's approach as similar to Derrida's, as there is no evidence that he was aware of the latter's work (Derrida was working on these themes at around the same time). What is important here though is the logic of supplementarity and of incompleteness of an account on the matter (which is also reflected in that Xenakis had not written any complete treatise on outside-time structures).
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