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Inskip, C.; MacFarlane, A.; Rafferty, P. (2008)
Languages: English
Types: Article
Subjects: Z665
Creative professionals search for digital music to accompany moving images using interactive information retrieval systems run by music publishers and record companies. This research investigates the creative professionals and the intermediaries communication processes and information seeking and use behaviour with a view to making recommendations to information retrieval systems builders as to the extent of relative importance of content and contextual factors. A communications model is used to suggest that the meaning of music is determined by its listener and use context, as well as cultural codes and competences. The research is framed by a holistic approach based on Ingwersen and Jarvelin’s Interactive Information Seeking, Retrieval and Behavioral processes model.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • [1] Cool, C. and Spink, A. (2002). Issues of context in information retrieval (IR): an introduction to the special issue. Information Processing and Management, 38 pp 605- 611
    • [2] Ingwersen, P. and Jarvelin, K. (2005). The Turn. Springer, Dordrecht.
    • [3] Inskip, C., Macfarlane, A. & Rafferty, P. (2008) Meaning, communication, music: towards a revised communication model. Journal of Documentation, in press.
    • [4] Middleton, R. (1990). Studying Popular Music. Open University Press, Buckingham.
    • [5] Neumeyer, D. and Buhler, J. (2001). Analytical and Interpretive Approaches to Film Music (I): Analysing the Music. In Donnelly, K.J. ed (2001). Film Music - Critical Approaches. Continuum International Publishing Group, London. Ch 1, pp 16-38.
    • [6] Patton, M. (1990) Qualitative evaluation and research methods. Sage Publications, Newbury Park, California
    • [7] Stefani, G. (1987) A Theory of Musical Competence Semiotica 66:1-3, pp7-22
    • [8] Tagg, P. and Clarida, B. (2003). Ten Little Title Tunes. Mass Media Scholars' Press, New York and Montreal.
    • [9] Talja, S. (2001). Music, Culture and the Library - an analysis of discourses. Scarecrow Press, Lanham.
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