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Karpf, Anne (2016)
Languages: English
Types: Doctoral thesis
Subjects: dewey300
The submission, comprising nine outputs, ranges from journal articles and a book to a podcast and a radio programme. The accompanying commentary aims to contextualise the submitted work, demonstrate that it constitutes a coherent whole and that it makes a significant, original contribution to the field of cultural studies.\ud \ud The submission and commentary contest the idea that the voice has become less important than text and image in an era that has come to be known as one of 'secondary orality'. The outputs set out to demonstrate that, although metaphorical and narrative meanings of 'voice' have come to displace a sense of the audible voice in popular discourse as well as in many scholarly texts, it remains a prime and powerful modality in both human communication and new technologies. Applying the approach of psycho-social studies to the voice in a novel and original way, the outputs draw on semi-structured interviews, archive research and cultural analysis to argue that, despite the discursive absence of the audible voice, a study of vocality can enrich our understanding of both face-to-face and electronically-mediated communication.\ud \ud The commentary describes the phenomenological orientation of the outputs. Using the interdisciplinary approach of psycho-social studies to explore aspects of the cultural sphere, the submission is thus situated in the emerging strand of psycho-cultural studies: the commentary argues that, despite the methodological problems this throws up, it constitutes a valuable and apt addition to the study of voice. It suggests that gendered ideas of the voice may lead to an essentialism that can be countered by understanding the voice as a medium for the performativity of gender. Challenging the common polarisation of eye and ear and the idealisation of the voice, it traces some ways in which the voice is culturally-constituted, especially the radio and cinematic voice. The appendix documents not only the outputs' origins but also their wide impact.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Altman, R., 1980a. Introduction, Yale French Studies, no.60 Altman, R., 1980b. Moving Lips: Cinema as Ventriloquism, Yale French Studies, no.60 Altman, R., 1992. Sound Theory, Sound Practice. New York: Routledge Anderson, R. et al, 2014. Vocal Fry May Undermine the Success of Young Women in the Labor Market. PLoS ONE, 9 (5). Available at:
    • [Accessed: 29 July 2015]
    • Bourdieu, P., 2014. The Logic of Practice. Translated from the French by R. Nice, 1992. Cambridge: Polity Press
    • Bradley, A., 2008. Derrida's Of Grammatology. Bloomington, Ind: Indiana University Press Bronfman, A., and Grant Wood, A., eds. 2012. Media, Sound and Culture in Latin America and the Caribbean. Philadelphia, Penn: University of Pittsburgh Press Bruhn Jensen, K., 2002. A Handbook of Media and Communication Research. Abingdon, Oxon: Routledge
    • Bruhn Jensen, K., 2006. Sounding the Media. Nordicom Review, 27 (2), pp. 7-33 Bryman, A., 2008. Social Research Methods. 3rd ed. Oxford: Oxford University Press Bull, M., and Back, L., eds., 2003. The Auditory Culture Reader. Oxford: Berg Burkitt, I., 1999. Bodies of Thought: Embodiment, Identity and Modernity. London: Sage Butler, J., 1990. Gender Trouble. New York: Routledge Campbell, D., 1989. The Roar of Silence: Healing Powers of Breath, Tone and Music. Wheaton, Il: The Theosophical Publishing House
    • Castarède, M., 2005. La voix comme 'media' dans la cure psychoanalytique. In: J. Vives, ed., 2005. La voix dans la rencontre clinique. Paris: L'Harmattan
    • Clifford Turner, J., 2007. Voice and Speech in Theatre. London: Methuen Drama Connor, S., 2014. Beyond Words: Sobs, Hums, Stutters and other Vocalizations. London: Reaktion Books
    • Cook, N., 2002. Tone of Voice and Mind. Amsterdam: John Benjamins Cook, T., 2011. The Sound Handbook (Media Practice). London: Routledge Couldry, N., 2010. Why Voice Matters. London: Sage Dyson, F., 1994. The Genealogy of the Radio Voice. In: D. Augaitis and D. Lander, eds. Radio Rethink: Art, Sound and Transmission. Banff, Canada: Walter Phillips Gallery Ehrick, C., 2015. Radio and the Gendered Sounscape: Women and Broadcasting in Argentina and Uruguay, 1930-1955. Cambridge: Cambridge University Press
    • Ehrick, C., 2015a. Nené Cascallar's Thirsty Heart: Gender, Voice and Desire in a 1950s Argentine Radio Serial. Feminist Radio Histories, 1 (4), pp. 31-45 Eliot, T.S., 1987. The Use of Poetry. London: Faber & Faber Emerson, P., and Frosh, S., 2004. Critical Narrative Analysis in Psychology: A Guide to Practice. Basingstoke, Hants: Palgrave
    • Fónagy, I., 1983. La vive voix. Paris: Payot Greene, L., 2009. Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema. The Soundtrack. 2 (1)
    • Hilsum, L., 2014. Quote of the Day, 5 March, 2014, p.16. London: Evening Standard Karpf, A., 2013c. Fear and loathing of women on the radio. The Guardian, 1.2.13. Available at: http://www.theguardian.com/tv-and-radio/2013/feb/01/fear-loathing-women-radio. [Accessed: 7.1.16]
    • LaBelle, B., 2010. Raw Orality: Sound Poetry and Live Bodies. In: N. Neumark et al, eds., 2010. Voice: Vocal Aesthetics in Digital Arts and Media. Cambridge, Mass: The MIT Press Luca, G., 1999. Actors and the Sound Gang. In: P. Kramer and A. Lovell, eds., 1999. Screen Acting. London: Routledge
    • Macallan, H., and Plain, A., 2010. Filmic Voices. In: N. Neumark et al, eds., 2010. Voice: Vocal Aesthetics in Digital Arts and Media. Cambridge, Mass: The MIT Press Macfarlane, R., 2015. From aquabob to zawn. The Guardian review, 28 Feb. p.4 Maiello, S., 1997. Sound-aspects in mother-infant observation. In: S. Reid, (ed.), Developments in Infant Observation: The Tavistock Model. London: Routledge Maiello, S., 2001. Prenatal Trauma and Autism. In: Journal of Child Psychotherapy, 27(2), pp. 107-124
    • Maillard, C., 2010. L'en-voix du Scribe. In: : J. Vives, (ed.), 2005. La voix dans la rencontre clinique. Paris: L'Harmattan
    • Mulvey, L., 2003. Cinema, Sync Sound and Europe 1929: Reflections on Coincidence. In: L. Sider et al, eds., 2013. Soundscape: The School of Sound Lectures, 1998-2001. London: Wallflower Press
    • Naas, M., 2011. The Violence of the Letter: From Levi-Straus to Rousseau. In: S. Gaston and I.Maclachlan, eds. Reading Derrida's On Grammatology. London: Continuum Naas, M., 2011b. Pneumatology, Pneuma, Souffle, Breath. In: S. Gaston and I. Maclachlan, eds. Reading Derrida's On Grammatology. London: Continuum
    • Siisiäinen, L., 2012. Confession, Voice and the Sensualization of Power: The Significance of Michael Foucault's 1962 Encounter with Jean-Jacques Rousseau. Foucault Studies, no. 14, pp.138-153
    • Turner, B., 1991. Missing bodies: towards a sociology of embodiment. Sociology of Health and Illness. 13(2), pp.265-72
    • Turner, B., 1996. Recent Developments in the Theory of the Body. In: M. Featherstone et al, eds., 1996. The Body: Social Process and Cultural Theory. London: Sage Turner, B., 2008. The Body and Society. Third edition. London: Sage Valente, J., et al, 2011. Sensory Politics and the Cochlear Implant Debate. Cochlear Implants: Evolving Perspectives, 2011
    • van Leeuwen, T., 1999. Speech, Music, Sound. Basingstoke, Hants: Macmillan Zuckerman, J., 2014. Look Who's Talking! The Ongoing Problem of the Female Voice. Psychoanalytic Perspectives, 11 (3)
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