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„Nur manchmal in Theatern springt es uns entgegen“: Ernst Tollers wirken in der Münchener Räterepublik (1919) als gelebte Utopie und deren Verarbeitung im Drama Masse Mensch. „Nur manchmal in Theatern springt es uns entgegen“: Ernst Toller’s involvement in the Munich Räterepublik (1919) as ‚realized‘ utopia and its influence on his drama Masse Mensch