LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Gunkel, Henriette; König, Christiane (2010)
Publisher: University of East London
Languages: English
Types: Article
Subjects:
When District 9 (D9) was released in August 2009, the film was an immediate box office hit in several countries. This was much to the surprise of critics, reviewers and bloggers, who seemed astonished by the fact that a science fiction film with this impact could originate from South Africa. Internet forum discussions and an E-Symposium emerged as a response to the film, which continues to be the subject of controversial discussion.[1] While many celebrate the film in relation to the ‘generic’ genre of Science Fiction as a promising representative of a thriving African Cinema, others reject the film on the basis of its socio-political message, as yet another racist movie about Africa – with reference to the depiction of both ‘the Nigerians’ and the aliens.[2] In this article, we would like to move beyond a crudely metaphorical reading of representation (‘the aliens stand for X in reality’), and explore the degree to which the film foregrounds its own mediality. This focus moves us beyond a polarizing position that immediately rejects the film as racist, and allows us to engage with a complex and original text unlike so many other films that take ‘Africa’ as their subject.
  • No references.
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article