OpenAIRE is about to release its new face with lots of new content and services.
During September, you may notice downtime in services, while some functionalities (e.g. user registration, login, validation, claiming) will be temporarily disabled.
We apologize for the inconvenience, please stay tuned!
For further information please contact helpdesk[at]

fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Marchevska, E (2016)
Publisher: Punctum
Languages: English
Types: Part of book or chapter of book
My paper discusses the production of borders, examining how they engage bodies and spatial scales. I carry performative research with mobile digital media, between these borders in order to enable new term of artistic and political engagement.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Anzaldua, G. 1987. Borderlands/La frontera: The New Mestiza. San Francisco: Spinster/Aunt Lute.
    • Bacon, J. 2006 . «The Feeling of the Experience: a methodology for performance ethnography». In J. Ackroyd, ed. Research methodologies for drama education, 135-152. Stoke-on-Trent: Trentham Books.
    • Bender, B. 2001. Introduction. In B. Bender and M. Winer, eds. Contested Landscapes: Movement, Exile and Place, 1-18. Oxford / New York: Berg.
    • Blocker, J. 1999. Where Is Ana Mendieta? Durham / London: Duke University Press.
    • Braidotti, R. 2007. «Feminist epistemology after postmodernism: critiquing science, technology and globalisation». Interdisciplinary Science Reviews 32(1): 65 -74.
    • Cooley, H. 2004. «It's all about the Fit: The Hand, the Mobile Screenic Device and Tactile Vision». Journal of Visual Culture 3 (2/august): 133-155 . http:// submit=yes&journal_set=spvcu&src=selected&andorexactfulltext=and.
    • -. 2005. «The autobiographical impulse and mobile imaging: toward a theory of autobiometry». In Proceedings of pervasive image capturing workshop at UBICOMP 2005. Tokyo: ACM.
    • Cooley, H. 2009. «Thumbnails». In F. Candlin and R. Guins, eds. The Object Reader, 522 -526 . London / New York: Routledge.
    • Dollan, J. 1991. The Feminist Spectator as Critic. 2nd ed. Michigan: University of Michigan.
    • Gómez-Peña, G. 2000. Dangerous border crossers: the artist talks back. London: Routledge.
    • Harrison, C. et al. 2010. «Skinput: Appropriating the Body as an Input Surface». In Proceedings of the 28th Annual SIGCHI Conference on Human Factors in Computing Systems (Atlanta, Georgia, April 10-15, 2010). CHI '10. New York: ACM.
    • Heddon, D. 2008. Autobiography and Performance. Hampshire: Palgrave Macmillan.
    • Kwon, M. 2004. One Place after Another: Site-specific art and locational identity. Cambridge / London: The MIT Press.
    • Latour, B. 2004. «How to Talk About the Body? The Normative Dimension of Science Studies». In Body and Society, vol. 10 (2-3): 205-229.
    • Lippard, L.R. 1997. The Lure of the Local: Senses of Place in a Multicentered Society. New York / London: The New Press.
    • Mendieta, A. 1980. Dialectics of Isolation: An Exhibition of Third World Women Artists of United States exhibition catalogue. New York: A.I.R. Gallery.
    • Miller, L.C. et al., eds. 2003. Voices made flesh: performing women's autobiography. Madison, Wis. / London: University of Wisconsin.
    • Mol, A. and J. Law. 2004. «Embodied Action, Enacted Bodies. The Example of Hypoglycaemia». Body & Society, vol. 10 (2-3): 43-62 .
    • Mondloch, K. 2010. Screens: Viewing Media Installation Art. Minneapolis / London: University of Minnesota.
    • Nelson, R. 2009. «Modes of practice-as-research knowledge and their place in the academy». In L. Allegue et al. eds., Practice-as-Research in performance and screen, 113-130. Hampshire: Palgrave Macmillan.
    • Pearson, M. and M. Shanks. 2001. Theatre / archaeology. London: Routledge.
    • Rose, N. 1996. Inventing our selves: psychology, power, and personhood. Cambridge: Cambridge University.
    • Scott, S. and S. Scott. 2000. «Our Mother's Daughters». In Feminism and Autobiography: Texts, Theories, Methods. London: Routledge, 128-134. http:// .
    • Wilding, F. 1976. By our own hands. Los Angeles: Double X.
    • Wookey, S. 2009. «Walking Los Angeles: From Documentation to Performance». Extensions 5 (1): 1-5.
    • Zimbalist Rosaldo, M. and L. Lamphere, eds. 1974. Woman, Culture & Society. Stanford, California: Stanford University.
  • No related research data.
  • No similar publications.

Share - Bookmark

Download from

Cite this article

Cookies make it easier for us to provide you with our services. With the usage of our services you permit us to use cookies.
More information Ok