LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Bennett, J (2013)
Publisher: Association for the Study of the Art of Record Production
Languages: English
Types: Article
Subjects:
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Barnes, A., 2006. James Blunt goes to war with his mentor over royalties - News, Music - The Independent. The Independent on Sunday.
    • Barthes, R., 1953. Writing degree zero, New York: Hill and Wang.
    • Bloom, H., 1973. The anxiety of influence: a theory of poetry 2nd ed., New York: Oxford University Press.
    • Boden, M., 2004. The creative mind : myths and mechanisms 2nd ed., London?: Routledge.
    • Burnard, P. & Younker, B.A., 2004. Problem-Solving and Creativity: Insights from Students' Individual Composing Pathways.
    • International Journal of Music Education, 22(1), pp.59-76.
    • Byrne, D., 2012. How music works, Edinburgh: Canongate.
    • Cantor, J.S., 2006. Fearless Innovation-Songwriting for Our Lives: Inspiring Learners with Arts-Based Practices that Support Creativity. Multicultural Education, 14(2), pp.57-64.
    • Collins, D., 2007. Real-time tracking of the creative music composition process. Digital Creativity, 18(4), pp.239-256.
    • Csikszentmihalyi, M., 1996. Creativity: Flow and the Psychology of Discovery and Invention, New York: HarperCollins.
    • Folkestad, G., Lindstrom, B. & Hargreaves, D.J., 1997. Young People's Music in the Digital Age: A study of computer based creative music making. Research Studies in Music Education, 9(1), pp.1-12.
    • Hayden, S. & Windsor, L., 2007. Collaboration and the composer: case studies from the end of the 20th century. Tempo, 61(240), p.28.
    • Hennion, A., 1983. The Production of Success: An Anti-Musicology of the Pop Song. Popular Music, 3, pp.159-193.
    • Hewson, J., 2009. Songbook: James Blunt. Songbook: James Blunt. Available at: http://www.skyarts.co.uk/music/article/songbook [Accessed February 2, 2010].
    • McEwan, I., 2012. The originality of the species. The Guardian. Available at: http://www.guardian.co.uk/books/2012/mar/23/originality-of-species-ian-mcewan?fb=native&CMP=FBCNETTXT9038.
    • Mendes, D.Q. & de Carvalho, L.A.., 2000. Creativity and Delusions: A Neurocomputational Approach. Arxiv preprint cs/0012020.
    • Middleton, R., 1990. Studying popular music, Milton Keynes [England]; Philadelphia: Open University Press.
    • Neate, A., 2009. The Witch's Cat, Blue Elf records.
    • Reitman, W.R., 1965. Cognition and thought : an information-processing approach, Wiley.
    • Riley, P.E., 2012. Exploration of Student Development through Songwriting. Visions of Research in Music Education, (22).
    • Available at: http://www-usr.rider.edu/~vrme/v22n1/visions/Riley_Student_Development_Through_Songwriting.pdf [Accessed May 23, 2013].
    • Skinner, B.F., 1957. Verbal behavior, Appleton-Century-Crofts New York.
    • Sloboda, J., 1985. The musical mind : the cognitive psychology of music, Oxford; Oxford University Press.
    • Smart, G., 2007. Now Blunt goes back to war. The Sun. Available at: http://www.thesun.co.uk/sol/homepage/showbiz/bizarre/article246437.ece [Accessed February 21, 2010].
    • Tagg, P., 2013. Music's Meanings: a modern musicology for non-musicians, Mass Media Music Scholar's Press.
  • No related research data.
  • No similar publications.

Share - Bookmark

Cite this article