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Warner, Martin
Publisher: Cambridge University Press
Languages: English
Types: Article
Subjects: PN0441, B1
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • 10 Lustra of Ezra Pound with Earlier Poems (New York: Alfred A. Knopf, 1917), 50.
    • 11 The Collected Poems of William Carlos Williams, Volume I 1909-1939, ed. A. Walton Litz and Christopher MacGowan (Manchester: Carcanet, 1987), 224. For convenience, I on occasion refer to this poem using its conventional designation, as above, but strictly it is untitled.
    • 'Imagination and Perception', in his Freedom and Resentment and Other Essays (London and New York: Routledge, 2008), 50.
    • 20 Imagination (London: George Allen & Unwin, 1961), 70.
    • 25 Philosophical Investigations. trans. G.E.M. Anscombe (Oxford: Basil Blackwell, 1958), II, §xi, 200e, 207e, 213e.
    • 26 Mary Warnock, Imagination (London: Faber and Faber, 1976), chap.IV; Roger Scruton, Art and Imagination: A Study in the Philosophy of Mind (London: Methuen, 1974), chaps. 7 & 8.
    • 27 Imagination, op. cit., 192, 194.
    • 28 'Imagination and Perception', op. cit., 69.
    • 29 Art and Imagination, op. cit., 91, 97-8, 117.
    • 32 Ibid., 105.
    • 33 The Poetic Image, op. cit., 23; the quotation is from John Middleton Murry's essay 'Metaphor' in his Countries of the Mind: Essays in Literary Criticism (London: Oxford University Press, 1937), II. 4.
    • 34 Ibid, 25. Compare Anthony O'Hear, The Element of Fire: Science, Art and the Human World (London and New York: Routledge, 1988), 104-5: 'A literal description of a feeling or attitude I have will not precisely delineate it, nor will it bring out the way in which it is not an object for me, but
    • 36 Ways of Worldmaking (Hassocks, Sussex: Harvester, 1978), 58.
    • 37 Knowledge, Fiction & Imagination (Philadelphia: Temple University Press, 1987), 198-203, 192.
    • 38 A Course of Lectures on Dramatic Art and Literature, op. cit., 88.
    • 39 The Statesman's Manual: or The Bible the Best Guide to Political Skill and Foresight, in his Lay Sermons. Ed. R. J. White, Collected Works, Vol.6, Bollingen Series LXXV (Cambridge and Princeton: Routledge & Kegan
    • 42 The Lives of the Poets, 3 vols. (ed.) John H. Middendorf (New Haven and London: Yale University Press, 2010), I, 26.
    • 43 C. Day Lewis, The Poetic Image, op. cit., 57.
    • 44 T. S. Eliot, Collected Poems: 1909-1962 (London: Faber and Faber, 1974), 13-17.
    • 45 C. Day Lewis, The Poetic Image, op. cit. 93.
    • 46 T. S. Eliot, Collected Poems: 1909-1962, op. cit., 189-95.
    • 47 'Imagery and Movement: Notes in the Analysis of Poetry (ii)', in his A Selection From Scrutiny, Vol. 1 (Cambridge: Cambridge University Press, 1968), 231. He adds that in considering certain types of poetic effect 'we find “imagery” giving place to “movement” as the appropriate term for calling attention to what has to be analysed'. (237)
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