LOGIN TO YOUR ACCOUNT

Username
Password
Remember Me
Or use your Academic/Social account:

CREATE AN ACCOUNT

Or use your Academic/Social account:

Congratulations!

You have just completed your registration at OpenAire.

Before you can login to the site, you will need to activate your account. An e-mail will be sent to you with the proper instructions.

Important!

Please note that this site is currently undergoing Beta testing.
Any new content you create is not guaranteed to be present to the final version of the site upon release.

Thank you for your patience,
OpenAire Dev Team.

Close This Message

CREATE AN ACCOUNT

Name:
Username:
Password:
Verify Password:
E-mail:
Verify E-mail:
*All Fields Are Required.
Please Verify You Are Human:
fbtwitterlinkedinvimeoflicker grey 14rssslideshare1
Junaidy, Deny Willy; Kaner, Jake; Ioras, Florin; Nagai, Yukari (2015)
Publisher: Inderscience
Languages: English
Types: Article
Subjects:
At the very early stage of idea generation, allegedly, a master craftsperson encounters cognitive dissonance to maintain beliefs/mindsets from various conceptual stimuli. We aim to capture the underlying form of cognition by examining the structure of thoughts collected from the subjective conceptualisation. A Think-Aloud Protocol was employed to obtain verbalised thoughts of both Indonesian and UK master craftsmen. The keywords of verbalised thoughts were evaluated and extracted using a list of typical mindsets. The evaluated keywords were then analysed by means of a conceptual network to reproduce a model of the individual’s mental state. This study discovered that Indonesian master craftsmen’s conceptualisation is greatly influenced by the strong typical mindsets of Object-attribute that emphasise Rationale and Mastery, which stimulates a pragmatic viewpoint. Furthermore, UK master craftsmen’s conceptualisation greatly considers strong typical mindsets of Object-attribute that emphasise Wisdom and Passionate, which indicates a rigorous mind. This paper reveals that both pragmatic and rigorous mindsets can create potential or barriers for creative cognitive resources.
  • The results below are discovered through our pilot algorithms. Let us know how we are doing!

    • Adams, R.S. and Atman, C.J. (1999) 'Cognitive processes in iterative design behavior', in FIE'99. 29th Annual Frontiers in Education Conference, November, Vol. 1, pp.11A6-13, IEEE.
    • Adamson, G. (2007) Thinking Through Craft, Vol. 159, Berg, Oxford.
    • Beattie, S. (2009) Cottage Industries: Arts and Crafts in Donegal, Winthrop University, Rock Hill, S.C.
    • Blair, J. and Ramsay, N. (Eds.) (1991) English Medieval Industries: Craftsmen, Techniques, Products, Hambledon Press, London.
    • Cai, Y. (1993) Qing Dai Guang Shi JiaJu, p.66, 8 Dragons Publishing & Cultural Services, Ltd., Hong Kong.
    • Cookson, A. and Ishimura, S. (2009) 'The early development of the English rattan seat: a comparison of Ming Dynasty Chinese seating and English rattan chairs, 1660-1700', デザイン学研究. 研究発表大会概要集, Vol. 56, pp.214-215.
    • Davison, G.C., Ralph, S.V. and Sandra, G.C. (1997) 'Think-aloud approaches to cognitive assessment and the articulated thoughts in simulated situations paradigm', Journal of Consulting and Clinical Psychology, Vol. 65, No. 6, p.950.
    • de Nooy, W., Mrvar, A. and Batagelj, V. (Eds.) (2005) Exploratory Social Network Analysis with Pajek, Vol. 27, University Press, Cambridge.
    • Fauconnier, G. and Turner, M. (2008) The Way We Think: Conceptual Blending and the Mind's Hidden Complexities, Basic Books, New York.
    • Finke, R.A. (1996) 'Imagery, creativity, and emergent structure', Consciousness and Cognition, Vol. 5, No. 3, pp.381-393.
    • Fitz Randolph, H.E., Hay, M.D. and Jones, A.M. (1978) The Rural Industries of England & Wales: Decorative Crafts and Rural Potteries, EP Publishing, Wakefield.
    • Galey, J.C. (1981) 'The spirit of apprenticeship in a master craftsman', Contributions to Indian Sociology, Vol. 15, Nos. 1-2, pp.3-12.
    • Gero, J.S. (2011) 'Fixation and commitment while designing and its measurement', Journal of Creative Behavior, Vol. 45, No. 20, pp.108-115.
    • Glăveanu, V-P. (2011) 'How are we creative together? Comparing sociocognitive and sociocultural answers', Theory & Psychology, Vol. 21, No. 4, pp.473-492.
    • Gordon, W.J. (1961) Synectics: The Development of Creative Capacity, Harper & Row, New York.
    • Greenhalgh, P. (2002) The Persistence of Craft, Crafts Council, London.
    • Houtz, J.C. and Patricola, C. (1999) 'Imagery', in Runco, M.A. and Pritzker, S.R. (Eds.): Encyclopedia of Creativity, Vol. 2, pp.1-11, Academic Press, London.
    • Jansson, D. and Smith, S. (1991) 'Design fixation', Design Studies, Vol. 12, No. 1, pp.3-11.
    • Jonson, B. (2005) 'Design ideation: the conceptual sketch in the digital age', Design Studies, Vol. 26, No. 6, pp.613-624.
    • Junaidy, D.W. and Nagai, Y. (2013) 'The in-depth cognitive levels of imagination of artisans and designers', Journal of Design Research, Vol. 11, No. 4, pp.317-335.
    • Klamer, A. (2012) Crafting Culture: The Importance of Craftsmanship for the World of the Arts and the Economy at Large [online] http://www.klamer.nl/docs/crafting.pdf (accessed 28 March 2014).
    • Koestler, A. (1964) The Act of Creation, Hutchinsons, London.
    • Kotzé, P., Wong, W. and Jorge, J. (Eds.) (2008) Creativity and HCI: From Experience to Design in Education: Selected Contributions from HCIEd 2007, Vol. 289, 29-30 March 2007, Springer, Aveiro, Portugal.
    • Leach, B. (1972) Introduction to the Unknown Craftsman, Kodansha, Tokyo.
    • Martindale, C. (1995) 'Creativity and connectionism', in Steven, S.M., Ward, T.B. and Finke, R.F. (Ed.): The Creative Cognition Approach, pp.249-268, The MIT Press, Cambridge.
    • Nagai, Y. and Junaidy, D.W. (2013) 'Empowering cognitive fixedness', Proceedings of the 9th ACM Conference on Creativity & Cognition, pp.291-294, ACM.
    • Pihlens, H. (2014) Rural Craft [online] http://www.hungerfordvirtualmuseum.co.uk/Themes/ Rural_Crafts/rural_crafts.html (accessed 20 April 2014).
    • Pye, D. (1968) The Nature and Art of Workmanship, UP, Cambridge.
    • Racz, I. (2009) Contemporary Crafts, Berg, Oxford.
    • Schön, D.A. (1983) The Reflective Practitioner: How Professionals Think in Action, Vol. 5126, Basic Books, New York.
    • Sennett, R. (2008) The Craftsman, University Press, Yale.
    • Solmsen, F. (1963) 'Nature as craftsman in Greek thought', Journal of the History of Ideas, Vol. 24, No. 4, pp.473-496.
    • Steadman, P. (2008) The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts, Routledge, New York.
    • UN-REDD Programme (2009) The United Nations Collaborative Programme on Reducing Emissions from Deforestation and Forest Degradation in Developing Countries [online] http://www.un-redd.org/CountryActions/Indonesia/tabid/987/language/en-US/Default.aspx (accessed 20 April 20, 2014).
    • van Gompel, D., Hoving, J. and Klusener, R. (2013) Furniture from the Netherlands East Indies 1600-1900: A Historical Perspective Based on the Collection of the Tropenmuseum, KIT Publisher, Amsterdam.
    • Viswanathan, V. and Linsey, J. (2012) 'A study on the role of expertise in design fixation and its mitigation', ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference, pp.901-911.
    • Wiyancoko, D. (2002) 'Community-based industry in Indonesia: cultural identity or responsibility', Proceeding of International Symposium of PECC, Taiwan.
    • Yanagi, M. (1949) Folk Crafts in Japan, Kokusai Bunka Shinkokai, Tokyo.
    • Yanagi, M. (1989) The Unknown Craftsman: A Japanese Insight Into Beauty, Kodansha International, Tokyo.
  • No related research data.
  • Discovered through pilot similarity algorithms. Send us your feedback.

Share - Bookmark

Cite this article